In your standard television drama, family stuff takes a backseat to whatever’s going on at work, typically at a hospital, law firm, or police precinct. A noble surgical resident has more time for her patients than her husband (Grey’s Anatomy), a scorned wife gets back on her feet by returning to work as a high-powered lawyer (The Good Wife), an alcoholic detective tackles the city’s drug problem but can’t make it to his kids’ ball games (The Wire). NBC’s Parenthood, which had its season premiere last night, reverses the work-family dynamic: Work is what gets in the way of family, not vice versa.
In last season’s pilot, Julia (Erika Christensen), a high-powered lawyer, struggled to put down her Blackberry long enough to take a family picture with Santa. In this season’s opener, she tells her husband Joel (Sam Jaeger) she wants a second child, but he’s already feeling restless staying home with their one child. Crosby (Dax Shepard) struggles with a long-distance relationship with his young son and former girlfriend, who recently moved across the country to New York to take a dream job dancing with Alvin Ailey. Eldest son Adam (Peter Krause) is reprimanded at work by a jerky boss (a slick William Baldwin) for letting his family interfere too much with his work.
The show’s focus on the family is admirable, but it’s not all that entertaining. Without the thrills of the E.R. or the courtroom, we’re left with only the character’s suburban personal lives to amuse us. And, while said lives are depicted by a flock of talented, you-loved-them-on-that-other-show actors—Peter Krause from Six Feet Under, Lauren Graham from Gilmore Girls (again playing a single mother), and Craig T. Nelson from Coach and The District, just to name a few—Parenthood’s characters, and the situations they find themselves in, feel more like archetypes than unique, fully fleshed out people and moments. More »